<p>Games have been an amazing outlet for all kinds of orchestral and electronic musicians to unleash their potential&period; A good music soundtrack has become essential for any genre and any game—and along with sound design&comma; can increase how much a player immerses in a game&period; However&comma; a few amazing sound tracks have been overlooked—perhaps their games didn’t become blockbuster hits&comma; or perhaps other features in the game outperformed them&period; Here are five such OSTs that probably deserve more attention than they’ve received&period;<&sol;p>&NewLine;<&excl;-- WP QUADS Content Ad Plugin v&period; 2&period;0&period;99 -->&NewLine;<div class&equals;"quads-location quads-ad135805 " id&equals;"quads-ad135805" style&equals;"float&colon;none&semi;text-align&colon;center&semi;padding&colon;0px 0 0px 0&semi;" data-lazydelay&equals;"3000">&NewLine;&NewLine;<&sol;div>&NewLine;&NewLine;<p>&nbsp&semi;<&sol;p>&NewLine;<p><strong>Sword &amp&semi; Sworcery<&sol;strong><&sol;p>&NewLine;<p>Sword &amp&semi; Sworcery has earned its place among indie games as one of the most inquisitive—it has a unique battle system and an interesting approach to storytelling&period; However&comma; its soundtrack stands out as one of its best features&period; It’s obvious that the artist&comma; Jim Guthrie&comma; worked very closely with the game designers—it’s often difficult to distinguish sound effects from music&comma; and the actions in the game &lpar;even when controlling the character&rpar; always match well with the music&period; The soundtrack itself has all the elements of a traditional 16-bit inspired track&comma; but it also has high-quality samples of harps and guitars thrown in to create a very unique OST&period; If you decide to play the game at the same time that you first hear its music&comma; you’ll probably end up stopping for a while just to listen&period; Its most amazing stand-alone tracks are Lone Star and the Prettiest Remix&comma; although you’ll probably end up falling in love with more as you play the game&period;<&sol;p>&NewLine;<p>&nbsp&semi;<&sol;p>&NewLine;<p><strong>Beyond Good and Evil<&sol;strong><&sol;p>&NewLine;<&excl;-- WP QUADS Content Ad Plugin v&period; 2&period;0&period;99 -->&NewLine;<div class&equals;"quads-location quads-ad135804 " id&equals;"quads-ad135804" style&equals;"float&colon;none&semi;text-align&colon;center&semi;padding&colon;0px 0 0px 0&semi;" data-lazydelay&equals;"3000">&NewLine;&NewLine;<&sol;div>&NewLine;&NewLine;<p>This game is littered with rhythmic and ethnic noises&comma; with some tracks stretching into the jazz&comma; latino&comma; reggae&comma; or rap genres&period; It definitely has its own unique feel and sets itself apart from other games simply because of the character its songs have&period; The songs can be playful&comma; deeply inspirational&comma; emotional&comma; or tense—or perhaps all at the same time&period; The track Hyllian Suite is a good sampling of the type of music in the OST&comma; while the Spanish Bar track is my personal favorite&period; Many of the tracks seem to have an exploratory and laid-back vibe&comma; making the game a relaxing experience&comma; as long as you’re not in the middle of a battle&period;<&sol;p>&NewLine;<p>&nbsp&semi;<&sol;p>&NewLine;<p><strong>Golden Sun<&sol;strong><&sol;p>&NewLine;<p>Golden Sun’s composer&comma; Motoi Sakuraba&comma; has an easily recognizable character shared in all of his songs&period; He’s also famous for his work with Star Ocean&comma; Valkyrie Profile&comma; and the Tales of Series—but Golden Sun stands out from all of these simply because he found a way to make GBA synths into very catchy orchestral melodies&period; All of the songs in Golden Sun have been meticulously pieced together&comma; note by note&comma; perfectly reflecting the ambience and area that they appear in&period; One of its best tracks is Venus Lighthouse&period;<&sol;p>&NewLine;<p>&nbsp&semi;<&sol;p>&NewLine;<p><strong>Shadow of the Colossus<&sol;strong><&sol;p>&NewLine;<&excl;-- WP QUADS Content Ad Plugin v&period; 2&period;0&period;99 -->&NewLine;<div class&equals;"quads-location quads-ad135804 " id&equals;"quads-ad135804" style&equals;"float&colon;none&semi;text-align&colon;center&semi;padding&colon;0px 0 0px 0&semi;" data-lazydelay&equals;"3000">&NewLine;&NewLine;<&sol;div>&NewLine;&NewLine;<p>Shadow of the Colossus has a minimal presentation when it comes to a lot of things—the music rarely plays&comma; dialogue and plot points are rare&comma; and very little help was given to the player as they explored around and defeated the Colossi&period; However&comma; the moments that the music does kick in&comma; it sends a powerful message—the music is practically the game’s narrator&period; With a sweeping orchestra and ominous choir&comma; the music lets on that there is far more to the story than the game reveals&period; It’s what alerts you to enemies or tells you that you’ve found the way forward &lpar;or up&rpar;&period; Its greatest tracks are the ones that hint that there is something far greater to the game than meets the eye—To the Ancient Land&comma; The Farthest Land&comma; and the Sunlit Earth are tracks that come to mind&period; The bold songs that play during battle are also amazing&comma; with Swift Horse and A Violent Encounter just two great examples from an amazing OST&period;<&sol;p>&NewLine;<p>&nbsp&semi;<&sol;p>&NewLine;<p><strong>Okami<&sol;strong><&sol;p>&NewLine;<p>Okami’s art always took the center stage in its reviews&comma; 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  1. I’m not sure I’d say Shadow of the Colossus’ OST was overlooked, but it is indeed a fantastic piece of music and one of many high points in the game. Also happy to see Golden Sun and Beyond Good & Evil on here. Another great score (and overlooked title) which I might have included on a similar list, is Shaun Lee’s work on Rockstar’s “Bully.”

    Good list!

I picked up a B.A. in English with a specialty in Poetry. I also draw manga-inspired webcomics and play far too much Minecraft in my free time. My favorite game is Legend of Zelda: Majora's Mask, while my favorite series is Suikoden!
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